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Occult Classical

by Tom Moody

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Moon Joker 02:02
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about

"Higher powers command: paint the upper right corner black," quipped Sigmar Polke in a notable artwork title. Such commands might also lurk behind the meandering signal flow of a modular synthesizer patch or the inchoate logic of placing scraps of digitized vinyl within the layered timeline of a digital audio workstation.

This release combines synth tunes (modular and soft-), beatbox beats, and reassembled sounds from the jazz and classical crates. There is less use of MIDI pattern generation to make chords and arpeggios than in the previous few releases; however, quantization is used within the modular to turn random and/or sequenced pitches into conventional chords and scales.

There is also some emphasis on getting novel timbres into clips, and reacting to those within the composition. A recurring device for turning lead into audio gold is Doepfer's A-112 sampler module, used in about half these tunes. Some custom waveforms were made and uploaded via MIDI to the A-112, using PrivatePublic Music's Doepfer A-112 Waves application (www.privatepublic.de/blog/software/a-112-waves/)

credits

released June 23, 2020

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Tom Moody New York, New York

"The sound world [in Melding Principle] is very finely calibrated; your ear for pairing the very pure and the klangorous has become remarkably deft. That makes it easy for the listener to latch onto the layered melodies. (Howl Din)

"[Y]our musical works exploit the aesthetic paradoxes of telecommunications and computer technologies and the social fantasies attached to them."
(Pierre-Luc Verville)
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